Polar Night / Midnight Sun

The polar night is the night lasting more than 24 hours, usually inside the polar circles. The opposite phenomenon, when the sun stays above the horizon for a long time is called the polar day, or midnight sun.

A common misconception is that at each point inside the polar circle, or that at each place where midnight sun occurs, the shortest day is totally dark. Because of twilight, this is not the case. In areas very close to the Arctic and Antarctic Circle, midnight sun is experienced, but polar night is never experienced. In fact, polar regions typically get more twilight throughout the year than regions located closer to the equator.

Inside the polar circles, the length of the time when the sun is below the horizon varies from 20 hours at the Arctic Circle and Antarctic Circle to 179 days at the Poles. However not all this time is classified as polar night, since there may be plenty of sunlight because of refraction. Also, one might notice that the time when the sun is above the horizon at the poles is said to be 186 days. The asymmetry in numbers is because the time when the sun is partially above the horizon is counted towards the "daytime".

Astronomical polar night

is the period that no trace of light can be seen anywhere and no astronomical twilight occurs. Astronomical twilight happens when the sun is between twelve and eighteen degrees below the horizon. Thus, astronomical polar night happens at latitudes above 84° 33′, which is exactly 18 degrees within the polar circle, or five and a half degrees from the pole.

There are no permanent settlements anywhere in this range of latitude. This portion of the Arctic Ocean is generally permanently ice capped. Some scientific stations in Antarctica, including Amundsen-Scott at the South Pole, experience this.



The midnight sun is a natural phenomenon occurring in summer months at latitudes north and nearby to the south of the Arctic Circle, and south and nearby to the north of the Antarctic Circle where the sun remains visible at the local midnight. Given fair weather, the sun is visible for a continuous 24 hours, mostly north of the Arctic Circle and south of the Antarctic Circle. The number of days per year with potential midnight sun increases the farther poleward one goes.

There are no permanent human settlements south of the Antarctic Circle, so the countries and territories whose populations experience it are limited to the ones crossed by the Arctic Circle, i.e. Canada, United States of America (Alaska), Denmark (Greenland), Norway, Sweden, Finland, Russia, and extremities of Iceland. A quarter of Finland's territory lies north of the Arctic Circle and at the country's northernmost point the sun does not set for 73 days during summer. In Svalbard, Norway, the northernmost inhabited region of Europe, there is no sunset from approximately 19 April to 23 August. The extreme sites are the poles where the sun can be continuously visible for a half year.

Since the Earth's axis is tilted with respect to the ecliptic by approximately 23 degrees 27 minutes, the sun does not set at high latitudes in (local) summer. The duration of the midnight sun increases from one day during the summer solstice at the polar circle to approximately six months at the poles. At extreme latitudes, it is usually referred to as polar day. The length of the time the sun is above the horizon varies from 20 hours at the Arctic Circle and Antarctic Circle to 186 days at the poles.

At the poles themselves, the sun only rises once and sets once, each year. During the six months when the sun is above the horizon at the poles, the sun spends the days constantly moving around the horizon, reaching its highest circuit of the sky at the summer solstice.

Due to refraction, the midnight sun may be experienced at latitudes slightly below the polar circle, though not exceeding one degree (depending on local conditions). For example, it is possible to experience the midnight sun in Iceland, even though most of it (Grímsey being a notable exception) is slightly south of the Arctic Circle. Even the northern extremities of Scotland (and those places on similar latitudes) experience a permanent "dusk" or glare in the northern skies at these times.

Nautical polar night

is the period during which there is only a faint glow of light visible during midday. It happens when there is no nautical twilight. Nautical twilight happens when the sun is between six and twelve degrees below the horizon. Because of refraction, there is still a place at the horizon with clearly more light than other places. The nautical polar night is limited to latitudes above 78° 33′, which is exactly 12 degrees within the polar circle, or eleven and a half degrees from the pole. Alert, Nunavut, the northernmost settlement in Canada and the world, experience this from late November to mid January.

the sky grows darker yet...

The Ballad of The White Horse
by Gilbert Keith Chesterson

DEDICATION
Of great limbs gone to chaos,
A great face turned to night—
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
...
And I thought, "I will go with you,
As man with God has gone,
And wander with a wandering star,
The wandering heart of things that are,
The fiery cross of love and war
That like yourself, goes on."

O go you onward; where you are
Shall honour and laughter be,
Past purpled forest and pearled foam,
God's winged pavilion free to roam,
Your face, that is a wandering home,
A flying home for me.

Ride through the silent earthquake lands,
Wide as a waste is wide,
Across these days like deserts, when
Pride and a little scratching pen
Have dried and split the hearts of men,
Heart of the heroes, ride.


Up through an empty house of stars,
Being what heart you are,
Up the inhuman steeps of space
As on a staircase go in grace,
Carrying the firelight on your face
Beyond the loneliest star.

Take these; in memory of the hour
We strayed a space from home
And saw the smoke-hued hamlets, quaint
With Westland king and Westland saint,
And watched the western glory faint
Along the road to Frome.

BOOK I. THE VISION OF THE KING

...

For the end of the world was long ago,
When the ends of the world waxed free,
When Rome was sunk in a waste of slaves,
And the sun drowned in the sea.

When Caesar's sun fell out of the sky
And whoso hearkened right
Could only hear the plunging
Of the nations in the night.

When the ends of the earth came marching in
To torch and cresset gleam.
And the roads of the world that lead to Rome
Were filled with faces that moved like foam,
Like faces in a dream.

And men rode out of the eastern lands,
Broad river and burning plain;
Trees that are Titan flowers to see,
And tiger skies, striped horribly,
With tints of tropic rain.

Where Ind's enamelled peaks arise
Around that inmost one,
Where ancient eagles on its brink,
Vast as archangels, gather and drink
The sacrament of the sun.

And men brake out of the northern lands,
Enormous lands alone,
Where a spell is laid upon life and lust
And the rain is changed to a silver dust
And the sea to a great green stone.

And a Shape that moveth murkily
In mirrors of ice and night,
Hath blanched with fear all beasts and birds,
As death and a shock of evil words
Blast a man's hair with white.

And the cry of the palms and the purple moons,
Or the cry of the frost and foam,
Swept ever around an inmost place,
And the din of distant race on race
Cried and replied round Rome.

And there was death on the Emperor
And night upon the Pope:
And Alfred, hiding in deep grass,
Hardened his heart with hope.

A sea-folk blinder than the sea
Broke all about his land,
But Alfred up against them bare
And gripped the ground and grasped the air,
Staggered, and strove to stand.

He bent them back with spear and spade,
With desperate dyke and wall,
With foemen leaning on his shield
And roaring on him when he reeled;
And no help came at all.

He broke them with a broken sword
A little towards the sea,
And for one hour of panting peace,
Ringed with a roar that would not cease,
With golden crown and girded fleece
Made laws under a tree.

The Northmen came about our land
A Christless chivalry:
Who knew not of the arch or pen,
Great, beautiful half-witted men
From the sunrise and the sea.

Misshapen ships stood on the deep
Full of strange gold and fire,
And hairy men, as huge as sin
With horned heads, came wading in
Through the long, low sea-mire.

Our towns were shaken of tall kings
With scarlet beards like blood:
The world turned empty where they trod,
They took the kindly cross of God
And cut it up for wood.

Their souls were drifting as the sea,
And all good towns and lands
They only saw with heavy eyes,
And broke with heavy hands,

Their gods were sadder than the sea,
Gods of a wandering will,
Who cried for blood like beasts at night,
Sadly, from hill to hill.

They seemed as trees walking the earth,
As witless and as tall,
Yet they took hold upon the heavens
And no help came at all.

They bred like birds in English woods,
They rooted like the rose,
When Alfred came to Athelney
To hide him from their bows

There was not English armour left,
Nor any English thing,
When Alfred came to Athelney
To be an English king.

For earthquake swallowing earthquake
Uprent the Wessex tree;
The whirlpool of the pagan sway
Had swirled his sires as sticks away
When a flood smites the sea.

And the great kings of Wessex
Wearied and sank in gore,
And even their ghosts in that great stress
Grew greyer and greyer, less and less,
With the lords that died in Lyonesse
And the king that comes no more.

And the God of the Golden Dragon
Was dumb upon his throne,
And the lord of the Golden Dragon
Ran in the woods alone.

And if ever he climbed the crest of luck
And set the flag before,
Returning as a wheel returns,
Came ruin and the rain that burns,
And all began once more.

And naught was left King Alfred
But shameful tears of rage,
In the island in the river
In the end of all his age.

In the island in the river
He was broken to his knee:
And he read, writ with an iron pen,
That God had wearied of Wessex men
And given their country, field and fen,
To the devils of the sea.

And he saw in a little picture,
Tiny and far away,
His mother sitting in Egbert's hall,
And a book she showed him, very small,
Where a sapphire Mary sat in stall
With a golden Christ at play.

It was wrought in the monk's slow manner,
From silver and sanguine shell,
Where the scenes are little and terrible,
Keyholes of heaven and hell.

In the river island of Athelney,
With the river running past,
In colours of such simple creed
All things sprang at him, sun and weed,
Till the grass grew to be grass indeed
And the tree was a tree at last.

Fearfully plain the flowers grew,
Like the child's book to read,
Or like a friend's face seen in a glass;
He looked; and there Our Lady was,
She stood and stroked the tall live grass
As a man strokes his steed.

Her face was like an open word
When brave men speak and choose,
The very colours of her coat
Were better than good news.

She spoke not, nor turned not,
Nor any sign she cast,
Only she stood up straight and free,
Between the flowers in Athelney,
And the river running past.

One dim ancestral jewel hung
On his ruined armour grey,
He rent and cast it at her feet:
Where, after centuries, with slow feet,
Men came from hall and school and street
And found it where it lay.

"Mother of God," the wanderer said,
"I am but a common king,
Nor will I ask what saints may ask,
To see a secret thing.

"The gates of heaven are fearful gates
Worse than the gates of hell;
Not I would break the splendours barred
Or seek to know the thing they guard,
Which is too good to tell.

"But for this earth most pitiful,
This little land I know,
If that which is for ever is,
Or if our hearts shall break with bliss,
Seeing the stranger go?

"When our last bow is broken, Queen,
And our last javelin cast,
Under some sad, green evening sky,
Holding a ruined cross on high,
Under warm westland grass to lie,
Shall we come home at last?"

And a voice came human but high up,
Like a cottage climbed among
The clouds; or a serf of hut and croft
That sits by his hovel fire as oft,
But hears on his old bare roof aloft
A belfry burst in song.

"The gates of heaven are lightly locked,
We do not guard our gain,
The heaviest hind may easily
Come silently and suddenly
Upon me in a lane.

"And any little maid that walks
In good thoughts apart,
May break the guard of the Three Kings
And see the dear and dreadful things
I hid within my heart.

"The meanest man in grey fields gone
Behind the set of sun,
Heareth between star and other star,
Through the door of the darkness fallen ajar,
The council, eldest of things that are,
The talk of the Three in One.

"The gates of heaven are lightly locked,
We do not guard our gold,
Men may uproot where worlds begin,
Or read the name of the nameless sin;
But if he fail or if he win
To no good man is told.

"The men of the East may spell the stars,
And times and triumphs mark,
But the men signed of the cross of Christ
Go gaily in the dark.

"The men of the East may search the scrolls
For sure fates and fame,
But the men that drink the blood of God
Go singing to their shame.

"The wise men know what wicked things
Are written on the sky,
They trim sad lamps, they touch sad strings,
Hearing the heavy purple wings,
Where the forgotten seraph kings
Still plot how God shall die.

"The wise men know all evil things
Under the twisted trees,
Where the perverse in pleasure pine
And men are weary of green wine
And sick of crimson seas.

"But you and all the kind of Christ
Are ignorant and brave,
And you have wars you hardly win
And souls you hardly save.

"I tell you naught for your comfort,
Yea, naught for your desire,
Save that the sky grows darker yet
And the sea rises higher.

"Night shall be thrice night over you,
And heaven an iron cope.
Do you have joy without a cause,
Yea, faith without a hope?"

Even as she spoke she was not,
Nor any word said he,
He only heard, still as he stood
Under the old night's nodding hood,
The sea-folk breaking down the wood
Like a high tide from sea.

He only heard the heathen men,
Whose eyes are blue and bleak,
Singing about some cruel thing
Done by a great and smiling king
In daylight on a deck.

He only heard the heathen men,
Whose eyes are blue and blind,
Singing what shameful things are done
Between the sunlit sea and the sun
When the land is left behind.

BOOK II. THE GATHERING OF THE CHIEFS

...
"And this is the word of Mary,
The word of the world's desire
'No more of comfort shall ye get,
Save that the sky grows darker yet
And the sea rises higher.'"

Then silence sank.

------

This ballad needs no historical notes, for the simple
reason that it does not profess to be historical. All of it that is not
frankly fictitious, as in any prose romance about the past, is meant to
emphasize tradition rather than history. King Alfred is not a legend in
the sense that King Arthur may be a legend; that is, in the sense that
he may possibly be a lie. But King Alfred is a legend in this broader
and more human sense, that the legends are the most important things
about him.

The cult of Alfred was a popular cult, from the darkness of the ninth century to the deepening twilight of the twentieth. It is wholly as a popular legend that I deal with him here. I write as one ignorant of everything, except that I have found the legend of a King of Wessex still alive in the land. I will give three curt cases of what I mean. A tradition connects the ultimate victory of Alfred with the valley in Berkshire called the Vale of the White Horse. I have seen doubts of the tradition, which may be valid doubts. I do not know when or where the story started; it is enough that it started somewhere and ended with me; for I only seek to write upon a hearsay, as the oldballadists did. For the second case, there is a popular tale that Alfred played the harp and sang in the Danish camp; I select it because it is a popular tale, at whatever time it arose. For the third case, there is a popular tale that Alfred came in contact with a woman and cakes; I select it because it is a popular tale, because it is a vulgar one. It has been disputed by grave historians, who were, I think, a little too grave to be good judges of it. The two chief charges against the story are that it was first recorded long after Alfred's death, and that (as Mr. Oman urges) Alfred never really wandered all alone without any thanes or soldiers. Both these objections might possibly be met. It has taken us nearly as long to learn the whole truth about Byron, and perhaps longer to learn the whole truth about Pepys, than elapsed between Alfred and the first writing of such tales. And as for the other objection, do the historians really think that Alfred after Wilton, or Napoleon afterLeipsic , never walked about in a wood by himself for the matter of an hour or two? Ten minutes might be made sufficient for the essence of the story. But I am not concerned to prove the truth of these popular traditions. It is enough for me to maintain two things: that they are popular traditions; and that without these popular traditions we should have bothered about Alfred about as much as we bother aboutEadwig.

One other consideration needs a note. Alfred has come down to us in the best way (that is, by national legends) solely for the same reason as Arthur and Roland and the other giants of that darkness, because he fought for the Christiancivilization against the heathen nihilism. But since this work was really done by generation after generation, by the Romans before they withdrew, and by the Britons while they remained, I have summarised this first crusade in a triple symbol, and given to a fictitious Roman, Celt, and Saxon, a part in the glory ofEthandune . I fancy that in fact Alfred's Wessex was of very mixed bloods; but in any case, it is the chief value of legend to mix up the centuries while preserving the sentiment; to see all ages in a sort of splendidforeshortening. That is the use of tradition: it telescopes history.

G.K.C.

GARS O'Higgins/ANTARCTICA webcameras, +NeuMayer

Above: Penguin cam to the right and station cam 2 on the left. Both webcams are mounted on the outside of a container without any additional shelter in a standard fitting, just as you order them at the factory! These cams (made by MOBOTIX) are extraordinary robust, have lots of unique features and provide a fantastic picture quality! For example the new software enables each camera for IP Telephony. Each cam has a weatherproof microphone and loudspeaker. And the quality of the pictures speak for themselve! Our cam has two fixed lenses onboard. The best cams I can imagine for any outdoor surveillance, even in an extreme environment like the north antarctic (but they also have brands for indoor use).

If you want to see another MOBOTIX cam in the antarctic, then have a look on this stand-alone-solution on the Larsen shelf ice. As far as I know this is the most isolated webcam on the Antarctic continent at the moment! Energy supply comes from a combined windpower and photo-voltaic system, pics are sent via WLan over a distance of several kilometeres to the German Antarctic Base "NeuMayer"

website

The Idea of Order at Key West by Wallace Stevens

WS reading the poem

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask.  No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this?  we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.

If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone.  But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang.  And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker.  Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh!  Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.

Theodore Roosevelt's African safari 1909

Roosevelt standing with native hunters over a dead lion during a safari in 1910. Photo credit: Library of Congress.

In March 1909, shortly after the end of his second term, Roosevelt left New York for a safari in Africa. Financed by Andrew Carnegie and by his own proposed writings, Roosevelt hunted for specimens for the Smithsonian Institution and for the American Museum of Natural History in New York. His party, which included scientists from the Smithsonian and was led by Frederick Selous, the famous big game hunter and explorer, killed or trapped over 11,397 animals, from insects and moles to hippopotamuses and elephants. 512 of the animals were big game animals, of which 262 were consumed by the expedition. This included six white rhinos. Tons of salted animals and their skins were shipped to Washington; the number of animals was so large, it took years to mount them. The Smithsonian was able to share many duplicate animals with other museums. Of the large number of animals taken, Roosevelt said, "I can be condemned only if the existence of the National Museum, the American Museum of Natural History, and all similar zoological institutions are to be condemned."^[37] Although based in the name of science, there was a large social element to the safari. Interaction with many native peoples, local leaders, renowned professional hunters, and land owning families made the safari much more than a hunting excursion. Roosevelt wrote a detailed account of this adventure; "African Game Trails" describes the excitement of the chase, the people he met, and flora and fauna he collected in the name of science.

http://en.citizendium.org/wiki/Theodore_Roosevelt

more safari history-Rooseveldt's safari

Safari Holidays: Brief History Safari has it roots in Arabic via Swahili and means “to make a journey”. Originally, Safaris were essentially trade missions seeking ivory, rhino horn, and slaves. With the coming of Europeans, the Safari began to be associated with exploration and the discovery. And those early European Safaris were huge operations that involved armies of staff and crew along with supplies and weapons. They blazed a trail for scientific safaris by Stanley and Livingstone or Burton and Speke. Many explorers never returned alive. Disease, starvation or death was part of the early African Safari experience.

African Safaris were trendy too. The novels of Rider Haggard, such as King Solomon’s Mines, introduced Allan Quatermain and the African Safari to an entirely new Victorian audience. Inevitably, along with great naturalists and men of science came the hunters. The European colonial ethic was to rule and dominate the people, the mineral resources and the wildlife. The Safari became synonymous with the “Hunt”. Conquering the wild beast and returning with trophies became the Safari’s entire purpose. Great White Hunters like Cornwallis Harris and Frederick Courtenay Selous prospered and by 1850 they were killing 30,000 elephant a year in East Africa. Gradually, this attitude changed. Those same hunters realised that the wildlife they were slaughtering was a finite resource. The first seeds of a conservation ethic were planted.

The Safari gradually began to change as the hunters began to consider themselves as naturalists and experts in bush craft. Selous’ book “A Hunter’s Wanderings In Africa” encouraged a new respect for natural Africa. Ironic though it may be, it’s because of men like Seleous and Harris that the conservation movement got started. That didn’t immediately stop the shooting parties though.

East Africa became the home of the Safari in the early 20th century and an entire industry grew up to cater for the every need of American and European clients keen to bag a trophy. The Guided Safari was born and probably reached its peak in 1909 with Theodore Roosevelt’s Great Safari, which cost £15,000.00 (several millions in today’s value!). Every Safari, whether undertaken by a hunter, naturalist, explorer, conqueror or colonial administrator, needed an army of gun-bearers, interpreters, guides, cooks and porters. Some of the Africans who made Safaris possible were almost as well known to the European public as the white explorers themselves.

By the middle of the last century portered safaris became less common as automobiles took over. Camping Safaris grew in popularity and so too did Photographic Safaris. The Safari Holiday has come a long way from the days of slave trading and over-zealous hunting. However, some elements of the Safari Holiday remain the same : Africa’s staggering natural beauty, the sense of freedom and adventure and the crucial involvement of Africa’s people. A Safari Holiday also remains a highly personal experience.

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Safari bkround/Victorian novels

The word Safara comes from the Arabic meaning “to make a journey” and from that derives the Swahili synonym Safari. Nothing nobler than trade was the purpose of the first Safaris. Coastal Arabs and Swahilis traded for centuries with the African interior and Safari described not only the traders’ expeditions but also their huge caravans. The trophies sought by these 18th century explorers were ivory, rhino horn, and slaves. With the advent of European colonisation and the scramble for “A Place in the Sun”, the Safari began to become associated with exploration and exploitation of natural resources, animal and mineral.

European exploratory safari caravans were large-scale operations that involved a huge contingent of staff and crew along with supplies and weapons. They mapped out the “Dark Continent” and paved the way for scientific exploration. The expeditions of Stanley and Livingstone or Burton and Speke lasted years and involved the sort of preparations that were more commonly associated with equipping a small army. Many explorers never returned alive. Risk as well as adventure was an integral part of any Safari. Disease, starvation or attacks by wild animals or hostile tribes were part and parcel of the African Safari experience: magnificent, but potentially fatal. On the heels of the explorers came the early naturalists including men like William John Burchell, Thomas Ayres and Gustav Adolf Fischer. They were instrumental in identifying several species of animals, categorisation and taxonomy being pretty much the extent of what was considered “science” in those days.

The novels of Rider Haggard, especially his first blockbuster, King Solomon’s Mines published in 1875, introduced its hero Allan Quatermain and the thrill of life in the African Bush to an entirely new Victorian audience. This popular culture influenced generations of young Victorian men, imbuing the Safari with an irresistible allure to match the strong Empire ethic of “duty”. Inevitably, along with great naturalists and men of science came the hunters. Just as the colonial ethic was to rule and dominate the people, so the European sensibility of the time saw nothing wrong with doing the same to the wildlife. The Safari became synonymous with the “Hunt”. Killing the big beast and returning from the hunt with trophies ranging from hides, skins and heads, to an entire animal became the Safari’s sole raison d’être.

from cheesy travel blog

safari trophy pix

all previous from atkinson hunting


trophy hunter.ru pix

Frontier (definition from Nationmaster)

http://www.nationmaster.com/encyclopedia/Frontier

A frontier is a political and geographical term referring to areas near or beyond a boundary, or of a different nature. Politics is the process by which decisions are made within groups. ...

In the United States, the frontier was the term applied by scholars to the impact of the zone of unsettled land outside the region of existing settlements of Americans. That is, as pioneers moved into the frontier zone they were changed significantly by the encounter. That is what Frederick Jackson Turner called "the significance of the frontier." For example, Turner argued in 1893, one change was that unlimited free land in the zone was available and thus offered the psychological sense of unlimited opportunity, which in turn had many consequences, such as optimism, future orientation, shedding of restraints due to land scarcity, and wastefulness of natural resources.

Throughout American history, the expansion of settlement was largely from the east to the west, and thus the frontier is often identified with "the west." On the Pacific Coast, settlement moved eastward. In New England, it moved north.

'Frontier' was borrowed into English from French in the 15th century with the meaning "borderland," the region of a country that fronts on another country (see also marches). The use of frontier to mean "a region at the edge of a settled area" is a special North American development. (Compare the Australian "outback".) In the Turnerian sense, "frontier" was a technical term that was explicated by hundreds of scholars. Mark or march (or various plural forms of these words) are derived from the Frankish word marka (boundary) and refer to an area along a border, e. ... A tourism sign post Yalgoo, Western Australia The Dingo Fence near Coober Pedy Fitzgerald River National Park in Western Australia Outback refers to remote and arid areas of Australia, although the term colloquially can cover any lands outside of the main urban areas. ...

Colonial frontier

See also: Colonial America, British colonization of the Americas, French colonization of the Americas

In the earliest days of European settlement of the Atlantic coast, the frontier was essentially any part of the forested interior of the continent beyond the fringe of existing settlements along the coast and the great rivers, such as the St. Lawrence, Connecticut, Hudson, Delaware, Susquehanna River and James.

English, French, Spanish and Dutch patterns of expansion and settlement were quite different. Only a few thousand French migrated to Canada; these habitants settled in villages along the St. Lawrence river, building communities that remained stable for long stretches; they did not leapfrog west the way the Americans did. Although French fur traders ranged widely through the Great Lakes and Mississippi River watershed, as far as the Rocky Mountains, they did not usually settle down. Actual French settlement in these areas was limited to a few very small villages on the lower Mississippi and in the Illinois Country.^[1] Likewise, the Dutch set up fur trading posts in the Hudson river valley, followed by large grants of land to patroons who brought in tenant farmers who created compact, permanent villages. They did not push westward. ^[2]

In contrast, the English colonies generally pursued a more systematic policy of widespread settlement of the New World for cultivation and exploitation of the land, a practice that required the extension of European property rights to the new continent. The typical English settlements were quite compact and small--under a square mile. Conflict with the Native Americans arose out of political issues, viz. who would rule. Early frontier areas east of the Appalachian Mountains included the Connecticut river valley.^[3] The French and Indian Wars of the 1760s resulted in a complete victory for the British, who took over the French colonial territory west of the Appalachians to the Mississippi River. Americans began moving across the Appalachians into areas such the Ohio Country and the New River Valley.

Canadian frontier

A Canadian frontier thesis was developed by Canadian historians Harold Adams Innis and J. M. S. Careless. They emphasized the relationship between the center and periphery. Katerberg argues that "in Canada the imagined West must be understood in relation to the mythic power of the North." [Katerberg 2003] In Innis's 1930 work The Fur Trade in Canada, he expounded on what became known as the Laurentian thesis: that the most creative and major developments in Canadian history occurred in the metropolitan centers of central Canada and that the civilization of North America is the civilization of Europe. Innis considered place as critical in the development of the Canadian West and wrote of the importance of metropolitan areas, settlements, and indigenous people in the creation of markets. Turner and Innis continue to exert influence over the historiography of the American and Canadian Wests. The Quebec frontier showed little of the individualism or democracy that Turner ascribed to the American zone to the south. The Nova Scotia and Ontario frontiers were rather more democratic than the rest of Canada, but whether that was caused by the need to be self-reliant on the frontier itself or the presence of large numbers of American immigrants is debated. Harold Adams Innis (November 5, 1894-November 8, 1952) was a professor of political economy at the University of Toronto and the author of many seminal works on Canadian economic history and on media and communications.

The Canadian political thinker Charles Blattberg has argued that such events ought to be seen as part of a process in which Canadians advanced a "border"-- as distinct from a "frontier"--from east to west. According to Blattberg, a border assumes a significantly sharper contrast between the civilized and the uncivilized since, unlike with a frontier process, the civilizing force is not supposed to be shaped by that which it is civilizing. Blattberg criticizes both the frontier and border "civilizing" processes.

Canadian Prairies

The pattern of settlement of the Canadian prairies began in 1896, when the American prairie states had already achieved statehood. Pioneers then headed north to the "Last Best West." Before settlers began to arrive, the North West Mounted Police was dispatched to the region. When settlers began to arrive, a system of law and order was already in place and the Dakota lawlessness for which the American "Wild West" was famed did not occur in Canada. Before settlers arrived, the federal government also sent teams of negotiators to meet with the Native peoples of the region. In a series of treaties, the basis for peaceful relations was established and the long wars with the Natives that occurred in the United States largely did not spread to Canada. Like their American counterparts, the Prairie provinces supported populist and democratic movements in the early 20th century. ^[4] Pamphlet advertising the last best West Last best West was a phrase used to market the Canadian prairies to prospective immigrants.

Europe

In the European Union, the frontier is a term used to describe the region beyond the expanding borders of the European Union. The European Union has designated the countries surrounding it as part of the European Neighbourhood. This is a region of primarily less-developed countries, many of which aspire to become part of the European Union itself. Current applicants include Turkey and Croatia. Ukraine has also set itself the primary task of eventually joining the Union, as have many small countries in the Balkans and South Caucasus. Romania and Bulgaria, joined the European Union in 2007. Proposals to admit Turkey have been debated (and rejected), partly on the ground that Turkey is beyond Europe's historic frontier. If all or most East European states become members, the frontier may be the boundaries with Russia and Turkey. The European Neighbourhood is the region beyond the frontier of the European Union.

See also

American Old West
Cabin Rights
Frontier Thesis

The cowboy, the quintessential symbol of the American Old West, circa 1887. ... At an early period in the settlement of the Frontier, pioneers asserted their claims to parts of wild lands by blazing trees around the desired boundary, and later comers customarily recognized the claims: tomahawk rights, they were called. ... Frederick Jackson Turner, author of the Frontier Thesis The Frontier Thesis or Turner Thesis is the conclusion of Frederick Jackson Turner that the wellsprings of American exceptionalism and vitality have always been the American frontier, the region between urbanized, civilized society and the untamed wilderness.

References

US history

• The Frontier In American History by Frederick Jackson Turner
• Billington, Ray Allen. America's Frontier Heritage (1984), an analysis of the frontier experience from perspective of social sciences and historiography
• Billington, Ray Allen. Westward Expansion: A History of the American Frontier (1952 and later editions), the most detailed textbook, with highly detailed annotated bibliographies
• Billington, Ray Allen. Land of Savagery / Land of Promise: The European Image of the American Frontier in the Nineteenth Century (1981)
• Blattberg, Charles Shall We Dance? A Patriotic Politics for Canada (2003), ch. 3, a comparison of the Canadian 'border' with the American 'frontier'
• Hine, Robert V. and John Mack Faragher. The American West: A New Interpretive History (2000), recent textbook
• Lamar, Howard R. ed. The New Encyclopedia of the American West (1998), 1000+ pages of articles by scholars
• Milner, Clyde A., II ed. Major Problems in the History of the American West 2nd ed (1997), primary sources and essays by scholars
• Nichols, Roger L. ed. American Frontier and Western Issues: An Historiographical Review (1986) essays by 14 scholars
• Paxson, Frederic, History of the American Frontier, 1763-1893 (1924)
• Slotkin, Richard, Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (2000), University of Oklahoma Press

Canada

• Blattberg, Charles Shall We Dance? A Patriotic Politics for Canada (2003), ch. 3, a comparison of the Canadian 'border' with the American 'frontier'
• Cavell, Janice. "The Second Frontier: the North in English-canadian Historical Writing." Canadian Historical Review 2002 83(3): 364-389. ISSN 0008-3755 Fulltext in Ebsco
• Clarke, John. Land, Power, and Economics on the Frontier of Upper Canada. McGill-Queen's U. Press, 2001. 747 pp.
• Colpitts, George. Game in the Garden: A Human History of Wildlife in Western Canada to 1940 U. of British Columbia Press, 2002. 216 pp.
• Forkey, Neil S. Shaping the Upper Canadian Frontier: Environment, Society and Culture in the Trent Valley. U. of Calgary Press 2003. 164 pp.
• Katerberg, William H. "A Northern Vision: Frontiers and the West in the Canadian and American Imagination." American Review of Canadian Studies 2003 33(4): 543-563. ISSN 0272-2011 Fulltext online at Ebsco
• Mulvihill, Peter R.; Baker, Douglas C.; and Morrison, William R. "A Conceptual Framework for Environmental History in Canada's North." Environmental History 2001 6(4): 611-626. ISSN 1084-5453. Proposes a five-part conceptual framework for the study of environmental history in the Canadian North. The first element of the framework analyzes approaches to environmental history that are applicable to the Canadian North. The second element reviews historical forces, myths, and defining characteristics that pertain to the region. A third element of the framework tests the validity of Turner's Frontier Thesis and Creighton's Metropolitan Thesis when applied to northern Canada. The fourth element consists of an overview of major northern environmental trends. The final element consists of four interrelated themes that identify the environmental relationships between northern and southern Canada.

External links

• Turner Thesis text
• Transhumanist.com: Opening Space as a Frontier

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1. ^ Clarence Walworth Alvord, The Illinois Country 1673-1818 (1918)
2. ^ Arthur G. Adams, The Hudson Through the Years (1996); Sung Bok Kim, Landlord and Tenant in Colonial New York: Manorial Society, 1664-1775 (1987)
3. ^ Allan Kulikoff, From British Peasants to Colonial American Farmers (2000)
4. ^ Laycock, David. Populism and Democratic Thought in the Canadian Prairies, 1910 to 1945. 1990; Seymour Martin Lipset, Agrarian Socialism (1950).

Categories: Canadian-American relations | History of United States expansionism

Frontier - Wiki In the United States, the frontier was the term applied to the zone of unsettled land outside the region of existing settlements of Americans.

Storming the Gates of Paradise: Landscapes for Politics by Rebecca Solnit

page 2-bold and italics mine

I realized that in order to describe the rich tangle of experience there [at the antinuclear actions at the Nevada Test Site in the late 1980s] I needed to describe, to analyze, to connect, to critique, and to report on both international politics and personal experience. That is, I needed to write as a memoirist or diarist, and as a journalist, and as a critic--and these three voices were one voice in everything except the conventions that sort our experience out and censor what doesn't belong. [...]

Since then, I have been fascinated by trying to map the ways that we think and talk, the unsorted experience wherein one can start by complaining about politics and end by confessing about passions, the ease with which we can get to any point from any other point. Such conversation is sometimes described as being "all over the place," which is another way to say that it connects everything back up. The straight line of conventional narrative is too often an elevated freeway permitting no unplanned encounters or necessary detours. It is not how our thoughts travel, nor does it allow us to map the whole world rather than one streamlined trajectory across it. I wanted more, more scope, more nuance, more inclusion of the crucial details and associations that are conventionally excluded. The convergence of multiple kinds of stories shaped my writing on one way; this traveling by association shaped it in others. Early in my history of walking, I wrote that "if fields of expertise can be imagined as real fields, fenced off and carefully tilled, then the history of walking is a path that trespasses through dozens of fields." So are most unfenced lines of inquiry. I learned two kinds of trespassing at the test site, geographical and intellectual.

Queen Elizabeth II - construction images

stills taken from BBC TV show-QEII final voyage (w/Bruce Peter, GSA)

Strangeways/prison interiors

Strangeways Prison

Strangeways and its image problem

BBC Manchester: Saturday, 4 September, 2004
Manchester Prison, formerly known as Strangeways, hit the headlines in 1990 when a riot ended after a siege lasting 25 days.

Starting in the chapel, the violence claimed the lives of two men and caused damage put at £66m.

Its then governor spoke of "an explosion of evil" as images of a rooftop protest dominated the news.

Although rebuilt at a cost of £55m and even renamed, to most people the prison will always be known as Strangeways.

In 2000, the then governor John Smith said the jail was no longer a "penal dustbin" which saw inmates locked up for 23 hours a day with no access to sanitation in their cells.

But in 2002 inspectors condemned staffing levels there as "unsafe" following cuts of 30% in the workforce.

Work and training

In a report, the Chief Inspector of Prisons Anne Owers also said some prisoners were kept in "degrading conditions", sharing one-man cells with unscreened toilets.

Built in the Napoleonic era, at the time of the 1990 riot the jail contained 1,647 prisoners in accommodation designed for only 970.

The prison takes people jailed and remanded in custody by courts in the Greater Manchester area.

The current regime, with an operational capacity of 1269, includes both full and part time education classes.

Training and work is provided in the workshops and laundry, farms and gardens and the works departments.

There are courses in anger management, alcohol awareness, improving coping skills and courses for prisoners convicted of sex offences.

Strangeways Prison

Strangeways Prison in Southall Street, Manchester was built to replace New Bailey prison in Salford which closed in 1868. It was designed by Alfred Waterhouse in 1861, using the Panopticon (radial) concept that was being employed all over Britain at the time. Waterhouse was assisted by Joshua Jebb, the Surveyor General of Prisons, who had also been involved with the design of London's Pentonville Prison. Construction was completed in 1869 at a cost of £170,000.

The new brick built prison stood on the site of the original Strangeways Park and Gardens, hence its name, and was able to house a 1,000 prisoners. There are two imposing gatehouses and a central dodecagonal hall, with wings A to F radiating off from it. The 234 feet high tower, which was used for heating and ventilation, has been a local landmark ever since it was built. The T-shaped F wing is used to house the administration on ground floor with the prison chapel above. A plaque in the entrance commemorates the official opening on the 25th of June 1868.

Strangeways also became the place of execution for the area after the closure of Salford prison. It initially had a purpose built execution shed in one of the yards, as this was the normal practice for private executions from 1868 up to around the end of World War 1.
The later 20th century condemned cell and execution room were situated at the end of 'B' wing in the central area. Strangeways had a permanent gallows, one of the few English prisons to do so, up to the abolition of capital punishment. In total, there were 100 hangings carried out within its walls, all in private. Twenty eight men and one woman were hanged there between 1869 and 1899, the first being a young man of 20 called Michael Johnson, who was hanged by William Calcraft for murder on the 29th of March 1869.

A further 71 people were executed at Strangeways in the 20th century - 68 men and 3 women. In the latter part of this period, executions became quite rare - no one was to be hanged there between 1954 and 1962. James Smith was executed in that year and then one of the last two UK hangings of all was carried out at Strangeways at 8.00 a.m. on the 13th of August 1964. Gwynne Owen Evans (real name John Robson Walby) was hanged by Harry Allen (assisted by Royston Rickard) for the murder of John West, a laundryman, in the course of robbing him in April 1964. Peter Anthony Allen was hanged at the same moment in Liverpool's Walton prison for his part in the crime. Murder committed in the course of robbery was still a capital crime under the 1957 Homicide Act.

There were 4 double hangings, all the rest being carried out individually. William Calcraft officiated at the first 3 executions within the walls of Strangeways (Michael Johnson plus Patrick Durr in December 1870 and Michael Kennedy in December 1872) before William Marwood replaced him and introduced the long drop method.

The condemned block is reputed to be haunted by the ghost of one of the hangmen who officiated there. Staff on night duty have reported seeing a mysterious man in a dark suit carrying a small briefcase. He is always seen walking along 'B' wing from just outside the condemned cell towards the central control area. When they try to follow this dark suited man, he vanishes just before the old iron staircase leading up to the main office. One wonders if this could be John Ellis who committed suicide in 1932.

more on executions